An installation on the San Francisco Local Code Case Study was featured as part of the exhibit The Utopian Impulse: Buckminster Fuller and the Bay Area, curated by Jennifer Dunlop Fletcher at SFMOMA and shown from March 31 – July 29, 2012. ...more

This exhibition at the Museum of Contemporary Art in Chicago was first developed as an installation for the Oakland Museum of California in 2012. A series of uncannily-scaled furnishings engaged the body of the viewer at a range of intimate scales. ...more

As an invited contribution to the 2015 exhibition Measure, modem’s Nicholas de Monchaux produced a series of alternative facades for the Storefront for Art and Architecture. ...more

In 2017, the McEvoy Foundation in San Francisco commissioned the Kunstwagen, a versatile mobile furniture piece designed for dynamic gallery events. ...more

Laura was one entry in a group show of commissioned and functional toy race cars curated by Visionaire World. The cars formed an urban simulation on a large-scale racing track. ...more

This map explores the risks and rewards of living in the Bay Area. Modem used custom software tools and a modified IBM Wheelwriter typewriter to imprint aggregated text onto 263 letter-sized pages, juxtaposing quotidien interactions with the density of geological hazards present in the physical landscape. ...more

For the 2018 exhibition marking the end of Catherine Wagner’s tenure as the Dean of the Arts at Mills College in Oakland, modem collaborated with the artist to create a series of architectural instruments and interventions within the fabric of the Mills College Art Museum. Enabling what Wagner terms ‘Archaeology in Reverse,’ these building-scaled periscopes, filters, furniture and landscapes frame photographs, sculptures, performances, and, above all, the 100-year old architecture of the museum itself. ...more

Text—codes, standards, and specifications—shape the form of contemporary buildings in a measure far greater than lines. ...more

Modem designed the installation for Doug Hall's 2-channel video piece, shown at the Rena Bransten Gallery in 2018. A tensile structure allowed a 10-foot cantilevered screen to extend into the gallery, and was paired with an anamorphic projection of the video's second channel onto the gallery walls. ...more